annihilation
Apocalypse Now is one crazy mother f*ing ride. I recently watched it again, I say again because it has been quite some time since my older brothers brought it home from the Hastings (a better version of Blockbuster) and my feeble mind trying to understand the beautiful complexities that incorporates the human psyche. I remember liking the music. I remember there was a surfer. I remember cannibals. And I remember thinking, "this is boring". What a difference nearly two decades can make.Apocalypse Now is a brilliant film. Francis Ford Coppola (Outsiders, The Godfather Trilogy) somehow makes this horrifying scene of carnage into a magnificently choreographed symphony. Its eerie how well the music tracks stand in strong contrast to the hellacious images passing before our eyes. Or the fact that amidst a quick and bloody slaughter, the Cavalry Lt. Kilgore (Robert Duvall) can only think of finding a decent wave to surf.
The opening scene amazingly sets the tone of the film. A fixed image of a tropical forest, one you would see in the Vietcong. The Doors "The End" starts slow. Slow motion of a Huey making a pick-up in the immediate foreground. The dust blows and rolls. And as soon as the lyrics start to approve, "This is the end," the palms light up in a napalm drenched explosion still in slow motion. The subtlety of the music in agreement, but not screaming, or appealing. Its Jim Morrison's lethargic voice soothing our worries away.
I thought the Kurtz part was too fast. I wanted to see more crazy. I wanted to not understand his psycho bablings. What the hell was going on in those last scenes is the question that everyone should be asking themselves. If you think you know the answer then you are wrong. Coppola had a horrible time trying to close things up with a proper ending. Then he decided that there is no real understanding of everything that just took place so just end it.
This was a real piece of art. Ebert philosophizes about the film more here if you want to read his review.
